Thursday, 18 September 2025

The post-delivery week

 Handing in a book always entails some mixed feelings. There's a general sense of relief that a substantial project is off the desk for the time being, meaning that at least a month or two can be turned over to something else. In fact I haven't been into my office since sending in the Merlin book, although I was mildly tempted to go in and do some tidying up this afternoon (I didn't). There's also a period of mental and physical exhaustion, and subsequent recuperation, which doesn't really hit you until after you've submitted the work; it's as if you're running on reserves until then, delaying the inevitable. I've often found that I can keep a cold at bay until I'm done with the book, but it hits me hard a day or two later. Anyone who has gone through some lengthy, stressful process such as a series of exams or a comparable works deadline will probably know the feeling. I like to keep my running going no matter what the writing pressure, but I must confess that I more or less stopped running entirely about a week before delivery, not just because the weather was poor enough not to be an incentive, but also because you're in that window where every hour is valuable, and you just want to push through. In that week I'd also set myself two intermediate deadlines which I failed to achieve, but only after a fairly exhausting run at each.

Anyway, I couldn't switch off immediately because I had a pre-arranged evening up in Birmingham with the Brum SF group, two days away that felt slightly unreal because I was both very tired, but also suddenly free of the anxiety of getting the book in. I had a wonderful time with the always warm and friendly people in Brum, and returned home very pleased with the whole thing, but also beginning to feel that I was running on empty. I did find time to pop into HMV and stock up on new long-players by, among others, Wolf Alice, Wet Leg, Eels, Divorce and Alan Sparhawk, none of which I've yet listened to.

I caught up on some rest on Sunday, then it was back out into the world for a moderately tiring day dealing with banks and accountants, mostly business that had been delayed while I got the book in. I had appointments up in Gloucester on Tuesday, with an early start and a tiring car journey either way. By Wednesday I was feeling out of sorts and decided that only more rest or a run was going to help, so I did my first bit of real exercise in over a week, with a slow, grinding 10K in utterly foul conditions. I was tired at the end of it but it probably did more good than harm, and convinced me that it can't possibly be as horrible on the day when I do the Cardiff Half. Today I had my usual early morning Thursday guitar lesson, then picked up on a little light admin and correspondence. I've been doing some good reading this week, finishing Robert Mason's CHICKENHAWK and now beavering through JET MAN, by Duncan Campbell-Smith, a recent and very readable (if exhaustive) account of Frank Whittle's struggles to develop the jet engine at the start of WW2. Tomorrow I'm back out again for the day, then on Saturday I'll be trying to deliver a successful parkrun at my local event, and praying to the rain gods.

Amid all this, the one thing I haven't been doing is feeling any great sense of elation or triumph at the delivering of a book. It's never been that way for me. There's a general relief, as I've mentioned above, and with that a necessary period of respite, but the emotions are much less ecstatic than you might think. It's more akin to delivering some massive piece of homework - you're glad it's done, but you're too close to it to have a detached view, and more than anything you just want to think about anything else for a few days.

Thursday, 11 September 2025

New book delivered

 A few hours ago I hit send on my next book, provisionally entitled MERLIN'S WAY. It's the one I've been talking about for some time, a gathering-up of the four "Merlin" novellas I wrote over about twenty years. But, it's ended up being something more than that. My original plan had been to stitch together the stories with a bit of linking material, and maybe rejig the chronologically-final piece a little to smooth over some bumps in point of view. The more I worked on the project, though, the more I realised that nothing about it was going to be simple, and that constructing a satisfactory book-length narrative was going to involve a far more radical recasting of the original material than I'd ever imagined at the outset. There were huge aspects of the original Merlin sequence that no longer played well for me, meaning that I had to take a step back from the whole enterprise and rethink some of the assumptions, including the backstory of Merlin's quest, against which the earlier stories functioned as independent adventures en-route to a larger goal. The process of re-investing myself in the material required throwing out some ideas and introducing new ones, which in itself proved far more challenging than initially envisaged. The resultant book contains at least as much new material as old, and proceeds to a different conclusion than the original sequence. In my head, I've taken to thinking of it as a Merlin smoothie, pouring the four stories into a blender, while tipping in lots of new ingredients. Hopefully the result is nutritious and flavoursome, rather than an amorphous gooey mess, but as of this evening I'm almost certainly the person least qualified to have an objective opinion on the matter.

Because I've been absolutely heads-down on this for months, I've not been great at updating the blog. If it's not too late, and you're in the area, I'd like to mention that I'll be speaking this Friday, September 12th, at the Birmingham Science Fiction Group. All the relevant details are below:


Come along if you have a chance, and ask me about Merlin, Halcyon Years, whatever you like. If there's time, I'll be happy to grab a drink afterwards.

I'll resume my fundraising drive in the next post, but in the meantime thank you to all who have already supported my Cardiff Half Marathon initiative for Cancer Research Wales. Deeply appreciated.

Cheers,

Al




Thursday, 14 August 2025

Fundraising for Cancer Research Wales via the Cardiff Half Marathon

 Hi folks, yes it's me back again with another plea for your generosity as we move into the final couple of months before the Cardiff Half.

Last year I ran on behalf of Alzheimer's UK and thanks to the kindness and deep pockets of my supporters, including many who read this blog, we managed to raise just shy of two thousand pounds. Earlier this year we also did well with my RED January challenge for the Mind over Mountains mental health charity, in which I did a hundred days of consecutive running, totalling 500km.

This year I'm trying to raise some funds for Cancer Research Wales (CRW), another cause which is very dear to my heart. I lost my mum and dad to cancer, and our wider family and circle of friends has not gone untouched by the disease. I'm sure we all have similar experiences, and of course many of us will either be going through cancer treatment, or providing love and support to those who are. Cancer survival rates are better than they used to be (I heard only today of a friend who's received the all-clear after treatment, which is great) but there is much, much more to be done. We can all try to make lifestyle adjustments to minimise our chances of getting cancer, but (as with Alzheimer's) there are still environmental and genetic factors we can't do much about, at least not right now. More research is needed, more data, more trials, more innovative therapies - not just for the common cancers but the rare ones as well, which are all too often the ones where the treatment options are the most limited.

Obviously earning a bit of sponsorship by running a half-marathon won't change the world, but I hope you'll agree that every little bit is a step in the right direction. If you can chip in, no matter how big or small the contribution, here's the link to do so. I assure you that every pound will help motivate me, both in my training and also on the big day.

https://cardiffhalf25.enthuse.com/pf/alastair-reynolds

I'll be begging your tolerance over the next few weeks as I push my fund-drive, but as I did last year, I'll try to spice it up a bit with a bit of vaguely interesting content.

In terms of preparation, I've been building some longer runs into my schedule, such as this 14K one this afternoon (two thirds of a half!):


Unfortunately I had a bit of a dip in my running through June/July. Back in May something odd happened on a fairly strenuous 5K. I didn't feel any ill-effects, but my Garmin heart-rate data was concerning. I had some follow-up tests with my GP, including bloods and ECGs, and everything eventually came back normal (suggesting that the Garmin thing was a measurement glitch) but while the tests were pending I was advised not to push too hard. On that basis, I reduced my running output to little more than a couple of low-intensity maintenance runs per week, just to hold onto some baseline fitness. Apparently you lose fitness twice as fast as you gain it, which is a bit of a swine! With that behind me I now feel confident to push as hard as I like, and while today was far too humid for me to want to run at anything more than a comfortable plod, I'm looking forward to extending my training over the next couple of weeks with a trial half or two.




Today's motivational music was Elastica's fantastic debut album, which still sounds totally fab and groovy.



Tuesday, 12 August 2025

Some new books

 I'll shortly be rattling the can for my Cardiff Half Marathon cancer research sponsorship, but in the meantime here are a few new things worthy of mention.

The two Revelation Space short story collections I mentioned last time are now out in the world, and it's very nice to see them. As indicated, these gather all the stories previously compiled in the two collections Galactic North and Diamond Dogs, Turquoise Days, as well as the material I've written since those two books: Monkey Suit, Open and Shut, The Last Log of the Lachrimosa, Night Passage and Plague Music. I've no immediate plans for anything else in the RS universe so, for now at least, these two collections are complete. Obviously if you're a completist, and you've already got the two earlier collections, you'll be in the annoying position of having to shell out for one or both of these, but it would have been a bit unsatisfactory to orphan these newer stories in a separate collection, I feel, as they would have needed to be padded out with non-RS material. I know how it feels as I've been there myself with other authors and musicians.




As always, I feel the need to add that, although I'm done with the RS stuff for now, that's not because I got fed up with it or exhausted, just that I'd like to explore fresher creative pastures while I can. At least there's a good chunk of material already written, for those who enjoy rummaging around in future histories. And speaking of which, this summer has also seen the publication of Subterranean Press's gorgeous special edition of ABSOLUTION GAP, following on from their equally lovely renditions of REVELATION SPACE and REDEMPTION ARK. I'm really thrilled and flattered by the attention to detail in Sub Press's books and consider myself very fortunate indeed for their enthusiasm and care.

ABSOLUTION GAP is a divisive book (I know!) but the one thing we can all agree on is that it's a big beast; by my recollection it's around 275,000 words and I've not written anything anywhere near as long since. The Sub Press edition is accordingly quite a bruiser of a book:



It features some stunning and evocative artwork (I'll just offer a teaser here):



By the brilliant Marc Simonetti. Once again Subterranean Press has produced a phenomenal item, and I'm eternally grateful to Bill and everyone at Sub Press for their continued support. Thank you so much.

Also from Subterranean, but not arriving until October, is my standalone novella THE DAGGER IN VICHY, which I'm also very pleased with, and Sub Press has come up with a beautiful quasi-medieval look for the thing, fully in keeping with the narrative.




The cover is by Andrew Davis, and the editor on this title was the formidable Jonathan Strahan, another much appreciated and long-time supporter of my work.

Ordering details for these books, and many others, may be found here:

https://subterraneanpress.com/

There's another North American limited edition in the pipeline, too - something a bit different - which I'll talk about nearer publication.

Many thanks,

Al R





Thursday, 19 June 2025

Minor update and RS special edition

 Things are moving in the direction of publication for HALCYON YEARS, I'm pleased to report, although I don't yet have a reliable publication date to share. I'd take September with a modicum of salt as I've yet to see any cover art or copy, and not much tends to happen in publishing during the traditionally slow summer months - although I could be wrong! I've completed the proofreading stage, though, which is generally the last point at which I have any real input into the text, and we've selected a voice artist for the audiobook, which is good.

Meanwhile, in the realm of things which are definitely about to happen, I've seen the Gollancz twenty fifth anniversary REVELATION SPACE limited edition and it's a gorgeous thing:





The hardcover book includes six colour illustrations by Richard Anderson as well as two pieces of double-page artwork for the inside cover and endpapers, also by Richard. The cover includes an adaptation of the line drawing of a lighthugger I did many years ago (distinctly weird to see it looking all posh and proper on a book now) and the text includes an introduction I wrote earlier this year, documenting the writing and road to publication of RS. The whole caboodle comes in a lovely black and silver slipcase, which is beautiful in its own right but which I particularly like because it reminds me of a Flaming Lips album:


Yes, I like black/silvery/shiny things. I must have been a magpie in a previous life. The RS special edition is available from July 3rd in the UK.

Also imminent are the two new-ish collections of Revelation Space-universe short stories and novellas, supplanting and expanding on the earlier books GALACTIC NORTH and DIAMOND DOGS, TURQUOISE DAYS:



Volume 1 gathers:

Dilation Sleep

A Spy in Europa

Galactic North

Great Wall of Mars

Glacial

Diamond Dogs

And Volume 2 gathers:

Turquoise Days

Weather

Grafenwalder's Bestiary

Nightingale

Monkey Suit

The Last Log of the Lachrimosa

Night Passage

Open and Shut

Plague Music

I'm seeing pub dates of 17th July for these two books.

In the mean-meanwhile-time, while all this is theoretically going on, I've been getting on with writing the much-mentioned Merlin book. I'll be honest, it's been a much more difficult project than I initially thought - what seemed like a simple-ish exercise in bringing together the existing Merlin stories, with some linking material, has proved to be anything but. I've ended up writing a LOT of new material, so much so that at least a third of the book will be totally new stuff, and of the earlier stories, only THE IRON TACTICIAN has escaped significant redrafting. But, it's getting there. It's been an interesting exercise, going back and collaborating with my much younger self, and seeing what I could and could not live with - mostly the latter. 

And when I've not been working on Merlin, over the last few weeks, I've been re-reading the first three volumes of James White's SECTOR GENERAL series, with a view to writing an introduction to a forthcoming and much-needed omnibus edition, about which there'll doubtless be more to say in the future.

That's it for now, hope the weather is fine wherever you are, and keep sane and safe as best you can.

Al R





Thursday, 5 June 2025

Two Colson Whitehead books

 If you'd asked me to read a 600-plus page novel about a Harlem furniture salesman trying to walk a line between the crooked and straight worlds, I might not have felt I had the stamina. But I blasted through these two recent books back to back, and I think they've cemented Colson Whitehead as my favorite contemporary American writer.




They're not exactly novels. Each book takes a decade as its broad theme and traces the story of Ray Carney through three novella-sized capers that are equal parts crime story and equal parts social history. Carney is a good guy who's basically just trying to run a furniture store and look after his family, but he's been a fence in the past and he can't quite escape the ties to his old life. I read Crook Manifesto first, which is set in the early-mid seventies, then backtracked to Harlem Shuffle, which begins around the turn of the sixties. You'd read them in publication order, ideally, but I didn't feel that my enjoyment was in any way tempered by taking them out of sequence. If you've encountered Whitehead before (I've read The Intuitionist, Zone One and Underground Railroad, so still have a way to go) you'll expect to be dazzled on an almost line-by-line basis, and these books don't disappoint. I presume there's going to be another set of Carney stories and I'm already looking forward to it.



Wednesday, 4 June 2025

House of Suns awarded the Grand Prix de l'Imaginaire

 La Maison des Soleils, the French edition of my 2008 novel HOUSE OF SUNS, was recently awarded the Grand Prix de L'Imaginaire at La Comédie du Livre in Montpellier. I'm delighted with this award, not just because my friends at Belial have been doing a grand job bringing my work back into the French market, but because (as far as I can remember) it's the first award of any kind picked up by HOS. Not that books have an automatic entitlement to awards, but it's one of my personal favorites and the recognition is therefore particularly appreciated.

I wasn't able to attend the festival - I did go last year, and was wowed by Montpellier -  but I had other commitments this May. I was able, though, to record a short message of thanks for the award and to the editors, translator and art team at Belial.


Cheers, Al